Beatles /(6/Cd) A Dolls House Vol 3 With Slipcase

the Beatles, who pulled out of all the live activities and focused on studio work, first released “Sargent Peppers”. Produced with a variety of sound effects, this album has a very lively atmosphere. Not only the music but also the album and jacket are elaborate, and the times can not keep up with the evolution and change of the Beatles, and the public drew controversy over the interpretation of this album. LSD etc. will be the best of the deep reading. It was Paul who led such a flashy “Sargent Peppers”. If John led the band as a leader in the early Beatles, Paul caught up with rubber souls and revolvers, and in ‘Sargent Peppers’ it’s clear that at least the musical initiative has shifted to Paul . The words “Sargent Peppers” appear in the lyrics at the beginning of “How Do You Sleep?” That beat Paul from the album “Imagine”, but John himself acknowledged that Paul was leading the band at this time. It is The band leader’s transition from John to Paul has a subtle effect on the relationships among the members of the Beatles who boast a solid unity, and it seems that the foundation for breaking up began from around this time.

The next album of Sargent Peppers reflecting this psychedelic era is The Beatles, commonly known as a white album. The Beatles set up Apple Records for the first time with its own label. He also stayed in India to ask Maharishi’s teachings for philosophical meaning, and most of the songs recorded on the white album were written when he was in India. This stay in India is from February to April 1968. And as early as May after returning to the UK, all the members gathered at George’s home to do a demo recording. The sound source at this time is called an Esher demo. Based on this demo sound source, full-scale recording starts in June. The White Album is the Beatles’ first double album. The album jacket is more simple, with only the white band embossed and white banded and numbered, as if it were a reaction to the gorgeous previous work “Surgent Peppers”. The album title itself is simply “THE BEATLES” whereas the previous work was a fictional long band name. The “White Album” was released in November 1968, in contrast to the previous work, and has achieved great sales success.

It was mentioned earlier that the transfer of musical leadership from John to Paul was the foundation of the Beatles dissolution, but in fact, at this time, Apple did not boycott recording and did not come to the studio, or the recording was not always carried out by four people. It’s not like that, and it seems like the episode of “White Album” seems like the sprouting of dissolution breaks up. As a part of it, when criticizing this album, it is argued that this is not a band’s album but a collection of solo songs. I see, that is not a mistake. The fact that it became a salesally disadvantageous double album in the first place is the result of each member refusing to neglect his own song despite the suggestion by George Martin to condense the contents into a single album Some say that. Paul did not seek to hide his aversion to “Revolution 9”, but where there was no opinion rejecting the recording, a glimpse of the unstable balance of human relationships in a subtle band. However, even in such a situation, there will be no objection to the wonder of “White Album”. Many of the fans actually like this album the most. Paul says this in an interview: “It is said that this album has no context or is a collection of solo songs, but it’s the Beatles white album. It’s shut up!”

This work has recorded the session sound source of this white album. It will be an unprecedented monumental one with a large number of first appearance sound sources, with unprecedented volume. There have been many titles that have recorded a large number of white album session sound sources, but this work not only covers already existing sound sources, but also includes many first appearance sound sources that no one has ever listened to There is. And since the original is a double album, it actually goes up to 18 discs as a session sound source of a white album.

DISC ONE CRY BABY CRY July 15, 1968 01. Version One Rehearsal

July 16, 1968 02. Take 1

July 18, 1968 TAKE 12 (5.1 MIXES) 03. Basic Track 04. No harmonium mix 05. Harmonium, extra vocals 06. Extra John vocal 07. Bass SI 1

REVOLUTION 9 June 20, 1968 08. RM Acetate Alternate Mix

GOOD NIGHT May 1968 09. Demo (Two Virgins Recording)

June 28 & July 2, 1968 10. Take 7 11. Take 10

UNUSED SESSION July 1968 12. Intro unknown take 1 13. Intro unknown take 2

July 22, 1968 14. Take 22 15. Takes 22 & 34 edit 16. Take 34 RM6 17. Advance Acetate Rough Mix

5.1 MIXES 18. Vocal 19. Orchestra

NOT GUILTY May 1968 20. Demo 21. Demo Tape copying

August 9, 1968 22. Take 99 reduction = 102 SI 23. Take 102 SI 24. Take 102 isolated overdubs 25. Take 102 complete 26. Monitor Mix

DISC TWO NOT GUILTY August 12, 1968 01. RM1 02. Acetate Mix

ALTERNATE MIXES 03. Stereo John Barrett 04. Stereo Roger Scott 05. Stereo George Martin

WHAT’S THE NEW MARY JANE May 1968 06. Demo 07. Demo Tape copying

August 14, 1968 08. Take 1 09. Take 2 announcement 10. Overdub chat (partial) 11. Take 4 complete (Roger Scott) 12. Take 4 edit (John Barrett)

November 26, 1969 13. RS4 14. RS5 15. RS6 16. Review Acetate side One 17. Review Acetate side Two 18. Unreleased Single Edit

ADDITIONAL MIXES 19. RS Take 4 Sessions edit 20. RS Take 4 Anthology edit

DISC THREE HEY JUDE July 29, 1968 01. Take 1 02. When I was a Robber 03. Take 2

July 30, 1968 (No actual Take 7 available) 04. Take 8 (partial) 05. Take 9 06. Take 10 (breakdown) 07. St. Louis Blues #1 08. Take 11 (breakdown) 09. Take 12 (breakdown) 10. Lady Madonna/Take 13 (breakdown) 11. Take 14 12. Las Vegas Tune 13. Take 15 (breakdown) 14. Take 16 (partial) 15. St. Louis Blues #2 16. Take 23

EXTRAS 17. Take 9 edit (John Barrett/Abbey Road Show)

REVOLUTION July 9, 1968 18. Rehearsal

July 10, 1968 19. Unknown Take fragment 20. Take 9 (mislabeled as ‘14’) 21. Take 10 w/SI 22. Vocals SI (multitrack) 23. Take 15 Rough Mix

July 12, 1968 24. Take 16

MULTITRACKS 25. Drums 26. Bass SI 27. Guitars Track 1 28. Guitars Track 2 & Piano 29. Instrumental

DISC FOUR September 4, 1968 UNEDITED PROMOTIONAL FILMS REVOLUTION 01. Warming up – It’s Now or Never 02. Take 1 03. Take 2

DAVID FROST SHOW 04. Warming Up 05. Take 1 06. False Start 07. Take 2/It’s Now or Never 08. Rehearsal 09. Take 3/You’re my Sunshine

HEY JUDE 10. Warming Up 11. Take 1 12. In the Middle of an Island – Banana Boat Song 13. Take 2 14. Get Back? 15. Take 3

ESHER DEMOS May 1968 CIRCLES 16. Demo 17. Demo Tape copying w/overdub

SOUR MILK SEA 18. Acoustic Demo 19. Electric Demo

CHILD OF NATURE 20. Demo

JUNK 21. Demo

MEAN MR MUSTARD 22. Demo 1 23. Demo 2 overdubs 24. Double tracked demo

POLYTHENE PAM 25. Demo 1 26. Demo 2 overdubs 27. Double tracked demo

March 1968, RISHIKESH, INDIA 28. The Saints 29. You Are My Sunshine 30. Jingle Bells 31. She’ll Be Comin’ Around The Mountain 32. Happiness Runs w/Donovan 33. Instrumental w/Donovan 34. Blowin’ In The Wind 35. Hare Krishna Mantra 36. O Sole Mio 37. Catch The Wind 38. Spiritual Regeneration 39. Happy Birthday Mike Love

DISC FIVE EARLY 1968 SESSIONS THE INNER LIGHT January 12, 1968 01. Take 2 (breakdown) 02. Take 3 03. Take 4 (breakdown) 04. Take 5 05. Take 8? Announcement

February 6, 1968 06. Copying Take 5 into Take 6

February 6 & 8, 1968 07. Vocal and Backing SI

LADY MADONNA February 3, 1968 08. Take 2 09. Take 3 with vocal SI 10. Overdubs onto Take 3 (isolated) 11. Overdubs onto Take 3

February 6, 1968 12. Take 4 13. Take 4 Vocal SI isolated 14. Take 4 Monitor Mix #1 15. Take 4 Monitor Mix #2 16. Take 4 Monitor Mix #3 17. Take 4 Monitor Mix #4 18. Take 5 SI (isolated) (5.1) 19. Take 5 Brass SI (5.1) 20. Take 5 Backing vocals SI (5.1) 21. Takes 4 & 5 tape copying 22. RS1 23. Takes 3, 4 & 5 mix 24. Take 5 alternate mix (5.1)

ACROSS THE UNIVERSE February 3, 1968 25. Take 2 monitor mix 26. Take 2

February 4, 1968 27. Take 6 28. Take 7 29. Take 7 tamboura SI 30. Take 7 ‘naked mix’ 31. Take 7 female vocals SI 32. Take 8 RS Acetate

DISC SIX ACROSS THE UNIVERSE February 4, 1968 01. Take 8 RM1 Rough Mix‘Hums Wild’ 02. Hums Wild Lost Lennon Tapes version

February 8, 1968 03. SI onto Take 8

January 1969 04. RM2 w/SFX 05. RM2 acetate playback

October 2, 1969 06. RS2 GM WWF Speed corrected 07. RM GM WWF Acetate

January 5, 1970 08. RS3 Glyn Johns Mix

April 1 & 2, 1970 09. RS13 Take 9 PS Mix speed corrected

HEY BULLDOG February 11, 1968 10. Take 2 intro chat 11. Unknown take breakdown 12. Take 10 13. Take 10 w/SI (multitrack) 14. Bass SI & original (multitrack) 15. Vocal session fragment 16. Vocals SI (multitrack) 17. Extra John Vocal SI (5.1. mix) 18. Bass SI and drum SI (5.1 mix) 19. Take 10 RS 20. Take 10 RM2 21. Original Film Mono Mix

EXTRAS WHILE MY GUITAR GENTLY WEEPS 22. Instrumental w/Paul rough vocal

HELTER SKELTER 23. Instrumental

50th ANNIVERSARY RELEASED SPOTS 24. Out Now 30” 25. Holiday Gift 30” 26. Xmas Gift 30”

50th ANNIVERSARY UNRELEASED SPOTS 27. This is The Beatles 15” 28. This is The Beatles 20″ 29. This is The Beatles 30”