Beatles - Every Little Thing Vol. 4 (2 Cd Set)

(DISC ONE)

1. A Hard Day's Night (Lennon/McCartney) 2:31

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The Beatles Mono. Remixed from the original UK mono by United Artist for the “Stereo” issue of A Hard Day’s Night, it is mono but shifts toward the left for Paul’s solo vocal bridge “When I’m home” and toward the right for the instrumental break. It wasn’t until the 1982 release of Reel Music that this song appeared in true stereo in the US.

2. (Medley) (unknown) 11:09 (unidentified) (date unknown)

You Never Give Me Your Money (Lennon/McCartney)

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The Beatles Stereo. Although not officially released, this is the initial lineup for the medley on the second side of Abbey Road album called The Long One/Huge Melody with Her Majesty in it’s original placement. Listed as Abbey Road Medley.

Sun King (Lennon/McCartney)

Outfake (date unknown)

The Beatles

Mean Mr. Mustard (Lennon/McCartney)

Outfake (date unknown)

The Beatles

Her Majesty (Lennon/McCartney)

Outfake (date unknown)

The Beatles

Polythene Pam (Lennon/McCartney)

Outfake (date unknown)

The Beatles

She Came In Through The Bathroom Window (Lennon/McCartney)

Outfake (date unknown)

The Beatles

3. Ain't She Sweet (Ager/Yellen) 2:13

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The Beatles Rechanneled stereo. In the US there was no proper stereo version available so Atlantic Records released this rechanneled stereo mix made from the edited mono. This was taken from the US album Ain’t She Sweet-The Beatles & Other Great Group Sounds From England ATCO SD33-169.

4. And Your Bird Can Sing (Lennon/McCartney) 2:03

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The Beatles Simulated stereo. Mock stereo mix used on the first issues of the 1966 “Butcher Cover” Yesterday and Today album in the US.

5. Baby You're A Rich Man (Lennon/McCartney) 3:06

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The Beatles Mono. The later issue of the US Capitol single 5964 has the end of the word “seven” or “eleven” spoken just before the song starts.

6. Boys (Dixon/Farrell) 2:23

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The Beatles Stereo. 1976 remix by George Martin for the double album compilation Rock and Roll Music.

Stereo. 1976 remix by George Martin for the double album compilation Rock and Roll Music. 7. Can't Buy Me Love (Lennon/McCartney) 2:14

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The Beatles Mono. Remixed from the original UK mono by United Artist for the “Stereo” issue of A Hard Day’s Night, it is entirely in mono except it bounces toward the right and then the left channels at the vocal lines.

8. Can't Buy Me Love (Lennon/McCartney) 2:15

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The Beatles A mono version of this song was on Anthology but it was take 2 with the guitar solo from take 1 edited in and reverb added.

9. Dizzy Miss Lizzy (Williams) 2:54

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The Beatles Stereo. This 1965 mix no longer available is from the UK release of Help! and the US album Beatles VI. The current 1987 version on CD has a lot of reverb added to the vocal.

10. Don't Bother Me (Harrison) 2:28

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The Beatles Stereo. This track from the Canadian release of Meet The Beatles on the purple label in 1976 is the same track used on the US album except for a vocal error by George near the end of the song. George sings an extra “don’t” out of place in “when she’s come home, until that day, DON’T, don’t come around, leave me alone.”

11. Doctor Robert (Lennon/McCartney) 2:19

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The Beatles Rechanneled stereo. Mock stereo mix used on the first issues of the 1966 “Butcher Cover” Yesterday and Today album in the US.

12. Drive My Car (Lennon/McCartney) 2:33

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The Beatles Stereo. Original 1965 stereo mix used for the UK Rubber Soul Album, The Beatles 1962-1966 collection, the US Yesterday and Today album and The Beatles 1962-1966. The cowbell track is heard during each verse except the last line, between the lines of the refrain, in the instrumental break, and in the fadeout. In the newer 1987 CD version the vocal is moved to the right center, and the cowbell and guitar track far right also the cowbell is heard throughout the refrain, evidence that the track is being faded during vocal lines in the original stereo mix.

13. Every Little Thing (Lennon/McCartney) 2:06

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The Beatles Stereo. 1964 stereo mix used for both the UK Beatles For Sale and US Beatles VI albums. Not currently commercially available on CD in stereo.

14. The Fool On The Hill (Lennon/McCartney) 2:55

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The Beatles Stereo. 1993 remix created for the video used to promote the release of the “1967-1970” CD.

15. From Me To You (Lennon/McCartney) 1:55

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The Beatles Stereo. 1982 remix by John Barrett that recreates the sound of the original mono mix with harmonica over the introduction.

16. Hello Goodbye (Lennon/McCartney) 3:31

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The Beatles Stereo. 1993 remix created for the video used to promote the release of the “1967-1970” CD.

17. Help! (Lennon/McCartney) 2:18

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The Beatles Stereo. 1993 remix created for the video used to promote the release of the “1967-1970” CD.

18. Helter Skelter (Lennon/McCartney) 3:45

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The Beatles Stereo. This is a new single edit version of the song which was first released on the Anthology series in 1995. Outake or “outfake” it is cool.

19. Hey Jude (Lennon/McCartney) 3:30

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The Beatles Mono Capitol Records in the US released a special edited promotional copy of Hey Jude to radio stations. This one-sided 7 inch disc was edited to fade just after the start of the sing-a-long, bringing the running time down to 3:30. This special edited version also appeared on the short lived 4-inch 33 1/3 rpm “Pocket Disc.” Sourced from very noisy vinyl.

20. I Feel Fine (Lennon/McCartney) 2:22

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The Beatles Mono. Remix mono by Capitol used for The 1964 Capitol single 5327, The Beatles ’65 album and the 1973 collection The Beatles 1962-1966.

21. I Saw Her Standing There (Lennon/McCartney) 2:53

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The Beatles Stereo. 1976 remix by George Martin for the double album compilation Rock and Roll Music the left and right channels are reversed and the two tracks were brought slightly to center.

22. I Want To Hold Your Hand (Lennon/McCartney) 2:26

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The Beatles Stereo. Mock stereo made from the original UK mono for the 1964 Capitol US release Meet The Beatles. I Want To Hold Your Hand didn’t appear in true stereo in the US until the 1982 release of The Beatles 20 Greatest Hits.

23. I Want To Hold Your Hand (Lennon/McCartney) 2:26

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The Beatles Stereo. Mock stereo made from the original UK mono for the 1973 Capitol US release The Beatles 1962-1966. I Want To Hold Your Hand didn’t appear in true stereo in the US until the 1982 release of The Beatles 20 Greatest Hits.

24. If I Fell (Lennon/McCartney) 2:20

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The Beatles Mono. Remixed from the original UK mono by United Artist for the “Stereo” issue of A Hard Day’s Night, it is mono but the intro is toward the left and the rest of the song is centered.

25. Take Out Some Insurance On Me, Baby (Singleton/Hall) 2:50

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The Beatles Rechanneled stereo. In the US there was no proper stereo version available so Atlantic Records released this re-channeled stereo mix made from the edited mono. Originally in the final chorus, Sheridan sings, “Take out some insurance on me baby…some god damned insurance on me baby.” Atlantic Records made one edit on Tony Sheridan’s lead vocal to keep the song from being offensive and sanitized the chorus to play “Take out some insurance on me baby…ooh, some insurance on me baby.” This version first appeared on the ATCO single in mono and later on three albums, Ain’t She Sweet, The Amazing Beatles, and The Original Discothèque Hits. This was taken from the US album Ain’t She Sweet-The Beatles & Other Great Group Sounds From England ATCO SD33-169. Listed as If You Leave Me Baby.

26. I'll Cry Instead (Lennon/McCartney) 1:49

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The Beatles Stereo. The “short version” from the UK A Hard Day’s Night and the US Something New albums has the running time of 1:44 . The “long version” runs 2:06 and has an additional verse edited in (see Every Little Thing Vol. 1).

27. I'll Get You (Lennon/McCartney) 2:08

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The Beatles Mono. This mono remix was made for the US Capitol release The Beatles Second Album.

(DISC TWO)

1. I'm Only Sleeping (Lennon/McCartney) 3:05

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The Beatles Rechanneled Stereo. This is the mock stereo version as issued on the US Yesterday and Today album in June of 1966, it was created from the mono remix used on the mono issue of the US Album Yesterday and Today (see Every Little Thing Volume1).

2. In My Life (Lennon/McCartney) 2:29

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The Beatles Stereo. Original stereo mix found on the UK and US Rubber Soul Albums, and The Beatles 1962-1966. The newer 1987 mix differs from the original in many ways. The lead vocals are mixed far right on both but the new version has heavy reverb added and mixed center, a breath is heard before the vocal starts in the original and the drum is louder. A plink in the decay of the guitar, left, at the end of the song is not heard on the newer mix.

3. It's Only Love (Lennon/McCartney) 1:59

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The Beatles Stereo. Original stereo mix found on the 1965 UK album Help! and the US Rubber Soul LP. The double track on the first “It’s only love” chorus has a slight gap. On new issues it has been “fixed” by splicing from the second chorus.

4. I've Just Seen A Face (Lennon/McCartney) 2:10

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The Beatles Mono. A voice can be heard in the decay at the end of the song in mono but not in stereo. Although the UK and US basic mono mix are identical, Capitol in the US added an unusual amount of echoto the mono mix.

5. Komm, Gib Mir Deine Hand (Lennon/McCartney/Nicolas/Hellmer) 2:24

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The Beatles Stereo. This stereo mix on the UK album Rarities differs little from the US version on The Beatles Something New which has someone talking in one channel before the song begins (see ELvery Little Thing Volume 2), this has been almost completely edited out of the UK mix, but it is still there.

6. Lady Madonna (Lennon/McCartney) 2:13

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The Beatles Stereo. Anthology video remix - The instrumentation, including piano, guitar, and cymbals are mixed to the center, the commercial version has the vocals and piano to the left and the remaining instruments to the right.

7. Little Child (Lennon/McCartney) 1:49

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The Beatles Stereo. Additional vocals can be heard at the very end of this track found on the UK release With The Beatles, the US mono and stereo versions were both remixed from the UK stereo.

8. Long Tall Sally (Johnson/Penniman/Blackwell) 2:02

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The Beatles Mono. This mono mix is from the UK Long Tall Sally EP, the vocals are mixed lower than in stereo and has less reverb. The mono remix on the US album The Beatles Second Album is a completely different mix (see Every Little Thing Volume 3).

9. Long Tall Sally (Johnson/Penniman/Blackwell) 2:04

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The Beatles Stereo. This stereo mix from 1964 has the vocal over to the right side while the current CD version has it centered. Issued on US Capitol The Beatles Second Album, Canadian Long Tall Sally LP, and The Beatles Greatest in Germany.

10. Love Me Do (Lennon/McCartney) 2:25

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The Beatles Mono. The master tape was lost in 1962 of this mono version with Ringo drumming, and no tambourine. This vinyl transfer from a slightly noisy 45 owned by EMI was used for the 1980 US issue of Rarities, in 1982 a better vinyl copy was made available to EMI from a collector and that version is on all CD releases.

11. Love You To (Harrison) 3:10

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-------------------------------------------------------------------------------- Regular RM 1, 2, 3, Edit 16 May 1966 SS.REV.04.7.RM1/2/3/Edit The Beatles Working title: Granny Smith

uk mono mix from mono mix 5 (which actually was a tape copy from mono mix 3, made on 13 April 1966)

E: Geoff Emerick 2E: Phil McDonald 2E: Richard Lush (for mono mix 3 - 13 April 1966)

Released on

UK: Parlophone PMC 7009 Revolver 1966 US: Capitol T 2576 Revolver 1966

12. Misery (Lennon/McCartney) 1:47

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The Beatles Mono. Sources insist that there is a difference between the UK and US mono mixes. This is the US mono mix from the Capitol album The Early Beatles.

13. Mr Moonlight (Johnson) 2:39

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The Beatles Stereo. From the US Capitol The Beatles ‘65 album. It has a slightly longer fade than the mono version.

14. Nobody's Child (Foree/Coben) 2:53

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The Beatles Rechanneled stereo. Atlantic Records put this out in the US and Canada on its subsidiary label ATCO, but before mastering the disc, two edits were made shortening the track from 3:52 to 2:54.

15. Nowhere Man (Lennon/McCartney) 2:47

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The Beatles Stereo. Original stereo mix found on the UK Rubber Soul album and the US Yesterday and Today LP. The original stereo mix has all sound either far left or far right. The 1987 CD mix has all instruments left center, only the lead guitar as far left, and the guitar moves to the far right for the solo in both versions. John’s lead vocal is at right center and his second vocal with the others at far right in the new issue.

16. Penny Lane (Lennon/McCartney) 2:53

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The Beatles Mono. The Brazilian LP Beatles For Ever has the phrase “in summer” cut out for reasons unknown. Also, this is one of the worst editing or pressing jobs ever on a Beatles record.

17. Penny Lane (Lennon/McCartney) 2:58

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The Beatles Stereo. Anthology video remix has the fire bell centered. Also, the piano and flute-like instruments are mixed to the forefront while the ascending trumpet line after the phrase “it’s a clean machine,” is missing.

18. Penny Lane (Lennon/McCartney) 2:59

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The Beatles Mono. Promotional issue with correct #11 mix. Originally issued in the US and Canada on promotional singles with a seven note piccolo trumpet coda played by Dave Mason of the New Philharmonia (not the London Symphony Orchestra - see Lewisohn page 93). Newly transferred and much better quality than previously available (see Every Little Thing Volume 2).

19. Please Please Me (Lennon/McCartney) 2:01

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The Beatles Stereo. Remixed by Capitol Records in 1965 for the US album The Early Beatles. Also later used for the 1973 The Beatles 1962-1966 greatest hits compilation set.

20. Roll Over Beethoven (Berry) 2:43

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The Beatles Stereo. 1976 remix by George Martin for the double album compilation Rock ‘n’ Roll Music.

21. Run For Your Life (Lennon/McCartney) 2:23

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The Beatles Stereo. Original mix used on both the US and UK 1965 Rubber Soul albums. A thump during the instrumental break - most likely someone hitting a microphone, has been removed in the newer 1987 CD mix.

22. She's A Woman (Lennon/McCartney) 3:03

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The Beatles Mono. While the UK mono has no echo on the vocal, the US mono has echo on everything. It also seems to have less piano. Remixed by Capitol Records and used for the US Beatles ‘65 LP and Capitol single 5327.

23. She Loves You (Lennon/McCartney) 2:25

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The Beatles Rechanneled Stereo. 1966 mock stereo version made for the UK release Collection of Oldies also used on the 1973 UK version of The Beatles 1962-1966 double album collection of hits.

24. Sweet Georgia Brown (Bernie/Pinkard/Casey) 2:04

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The Beatles Rechanneled Stereo. In the US there was no proper stereo version available so Atlantic Records released this re-channeled stereo mix made from the edited mono. This was taken from the US album Ain’t She Sweet-The Beatles & Other Great Group Sounds From England ATCO SD33 169.

25. Tell Me Why (Lennon/McCartney) 2:09

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The Beatles

26. Thank You Girl (Lennon/McCartney) 2:03

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The Beatles Stereo. 1982 Remix by John Barrett that duplicates the released stereo version but without the echo.

27. There's A Place (Lennon/McCartney) 1:51

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The Beatles Stereo. A new stereo mix for the US album Rarities in 1980 and also used on the Capitol single B5624 In 1986.

28. Ticket To Ride (Lennon/McCartney) 3:06

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The Beatles Stereo. 1993 remix created for the video used to promote the release of the “1962-1966” CD.

29. Ticket To Ride (Lennon/McCartney) 3:06

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The Beatles Rechanneled Stereo. Mock stereo made from the UK mono mix for the 1965 US Capitol Motion Picture soundtrack album Help!

30. Twist And Shout (Russell/Medley) 2:37

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The Beatles Stereo. 1986 remix most likely made for the film Ferris Bueller’s Day Off, or at least for the promotion of the single related to it US Capitol B5624 has the left instrumental track relatively louder.

31. You Can't Do That (Lennon/McCartney) 2:32

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The Beatles Stereo. From the 1964 Capitol Canadian release Long Tall Sally album. Early stereo mix which seems to have no bass on the right, unlike the common stereo mix. It's more likely a mastering error than an alternate mix.