Beatles (2/CD) Past Masters Extra Volume One AI

The Beatles latest editing AI audio album series is now available. Original multi-track new editing by new dimension AI sound source analysis Each 4 kinds of sound sources by stereo remix are recorded together. The latest reference to Beatles Sound research. The latest album collection of collector’s attention. Original press board imported directly from overseas

[Transition of Beatles recording technology and remastered sound source work] In the eight years from its debut in the UK in 1962 to its dissolution in 1970, The Beatles have released 13 original albums in Britain. In the first half of the 1960s, stereo playback devices were generally in the process of becoming widespread, and records were mainly monaural. For the Beatles, mixing work was basically monaural, and stereo was produced afterwards. As a result, master tapes are made separately for monaural and stereo, which makes a difference in take and mix, and various sound sources exist as different versions. The EMI studio (Abbey Road Studios) at the time of the Beatles debut was a simple environment far from the present, and the recording equipment is basically 2 tracks. In his debut album “Please Please Me”, the vocals and performances are recorded in one shot like a studio live, and there is almost no overdubbing. The stereo mix from 2 tracks is a simple stereo mix where vocals and performances are divided into left and right, and this continues until the next album. At that time, monaural was the mainstream and stereo was not a concern. I can tell you that it was just a formal production. Since October 1963, the single “I Want to Hold Your Hand” evolved from the previous stereo mix as the first recording of the Beatles’ song using a 4-track recorder. Basically 4 tracks until Abbey Road Studios introduced an 8-track recorder in the middle of recording “The Beatles (White Album)” from the third album “A Hard Days Night”. It was a recording environment where overdubbing was repeated. The multi-track recording album “Abbey Road” was released only in stereo, but all the albums before that were released in two ways, monaural and stereo, and masters with different mixes have been produced. .. Since the 1970s, stereo has become the mainstream, and monaural mixes have been forgotten as sounds of the past, but for the first time in 1987, all Beatles albums will be released on CD. George Martin, who was asked to supervise, goes to eliminate the discomfort of old-fashioned stereo. However, on the day of the CD release, a convincing remix and remaster was not in time, and the initial 4 albums were monaural, “Help! Only two titles, “Rubber Soul”, have been newly remixed, and after “Revolver”, the same stereo mix as in the record era was released on CD. In the 1990s, while unreleased sound sources other than the original albums such as “Anthology Trilogy” and “Live at the BBC” continued to be released, it was the first “Yellow Submarine Songtrack” in 1999. A remix album that makes full use of multi-track has appeared. After that, remix albums such as “Let It Be … Naked” in 2003 and “LOVE” in 2006 will continue to be released. In 2009, the CDs of all the albums, which had been released halfway for many years since the first CD in 1987, will be fully reborn as the 2009 digital remastered version due to the improvement of digital mastering technology. .. Based on the original master sound source that is not a remix, minor corrections and improvements were made, and all 213 official original works were released in stereo and monaural. This is still a standard sound source. On the other hand, in the same 2009, the game software was released as “The Beatles: Rock Band”. Contrary to the remastering of the original master sound source for games, a sound source in which vocals, guitar, bass, and drums are separated from the multi-track sound source by a mixer has appeared. The existence of many remix variations based on these is already familiar to Beatles collectors. In recent years, the release of the latest remix remaster BOX for each album has become a hot topic from the remix commemorating the 50th anniversary of the release of “Sergeant Peppers” in 2017, and the Beatles sound source continues to evolve with the times.

[AI Audio Companion: Features of Remix and Remaster (Detailed Explanation)] As introduced in “The Beatles Recording Technology and the Transition of Remastered Sound Sound Work” as the basic knowledge of the Beatles sound, there have been recurrences and remix album releases by the latest remaster, but this “AI” In the “Audio Companion: Remix and Remaster” series, the multi-track sound source tried in “The Beatles: Rock Band” was further evolved, and vocals and guitars that were limited to selected songs at that time. , Bass, Beatles parts separated sound source, all works are reconstructed in the original album unit with the latest version by the latest AI sound source analysis. All songs are recorded for each album, which used to be a multi-track sound source that was only a part of the selected songs in “Rock Band”. Based on the original multi-track sound source where each part of vocal, guitar, bass and drums is separated, it is finished as a new remix that is different from the original stereo mix. [MULTI TRACK REMIX AND REMASTERS STEREO REMIX] is a new stereo mix that has undergone a major change from the original unnatural stereo sound image of the 1960s to a remix that is conscious of modern stereo localization without a sense of unnaturalness. In particular, the difference in stereo mix from the early to mid-term can be clearly seen by listening directly with headphones or stereo earphones. In the stereo from 2 tracks in the initial 2 albums, it has been reborn as a stereo mix that simply separates the monaural performance tracks that are grouped into one channel, converts the performance itself into stereo, and then localizes the vocals to the center. , This can be said to be an achievement unique to the latest AI sound source analysis. This attempt has already been released several times for sound source collectors in recent years, but if you dare to compare it, you can hear the difference in the texture of the sound, stereo localization, and sound image. [NAKED VOCAL TRACK STEREO REMIX] is a mix that pulls out the main vocal track and suppresses the performance as much as possible. It’s a “naked” remix that extrudes fresh vocals while leaving the performance. In a sense, it is a unique sound source because there is a multi-track sound source in which each part of vocals, guitar, bass, and drums is separated, and it is the first time that all songs of the album are recorded in this way. [ORIGINAL ANALOG MASTER STEREO MIX] is literally a complete reproduction of the original sound source of the 1960s, and the source is the sound source of the mobile fidelity master record produced directly from the British original stereo master. Sound quality 96/24 Recorded based on a high-resolution digital sound source. It is an original analog stereo mix of the original record master, which is not a sound source that has been restored by the current digital remaster. It is a flat-transferred reference sound source that conveys the sound of the original record, which is now expensive and difficult to obtain. Furthermore, [BACKING TRACKS INSTRUMENTAL STEREO REMIX], which can be said to be a karaoke of all songs in the album, is similar to “naked vocals”, and is a remix created uniquely because there is a multi-track sound source in which each part of vocals, guitar, bass, and drums is separated. It is a sound source, and it can be said that this is also an achievement unique to the latest AI sound source analysis. In the past, there were instrumental albums from the “The Beatles: Rock Band” sound source, and there were backing tracks that only played, including studio outtakes, but all songs of the album are recorded in this way. It is the first appearance. For some songs, vocals and chorus are well separated, and for some songs, the vocal track is not completely turned off, but by listening only to the performance, the Beatles sound making analysis is further performed. It’s an endless remix that’s also useful.

As a result of sticking to the format that the two single AB side songs released as new songs by the Beatles during the 1960s activity period are not recorded in the original album, many of the famous songs of the singles that were big hits all over the world were not recorded in the album. .. At that time, it was a consideration not to duplicate the same thing for the fans who bought the record, but the times have changed and it was 1988 to eliminate the inconvenience that the single song is not recorded even if all the albums are prepared. For the first time, the compilation “Pasto Masters” was made. Not only the single AB side but also all the songs not recorded in the album such as songs only on the EP version are recorded in chronological order, and if this editing board is added to the 13 original albums, all the Beatles officially announced songs during the activity period can be covered. Therefore, it is an indispensable title indispensable for the collection. It was “VOLUME1 / 2” when it was made into a CD, but as “Pasto Masters Extra” with 4 songs from the album “Yellow Submarine” which is not the only series in this “SUPERB PREMIUM”. There are three works in the first half and the second half.

In “VOLUME ONE”, the German version of “Dakishimetai” and “Sea Loves You”, which had not been released in the UK, from the debut single “Love Me Do”, which was taken separately from the album recording, contains 4 songs. Includes up to “Long Tall Sally” released as an EP. Newly edited stereo remixes such as “Love Me Do” and “See Loves You”, which have only monaural sound sources, have been made into real stereo, and single B-side songs with many buried masterpieces unique to the early days. Etc. are recorded.

As with the previous series, CD1 contains a unique remix of vocals and instruments separated from the original sound source as a multi-track newly edited stereo remix, and a naked remix featuring fresh vocals. Includes vocal tracks. CD2 contains a sound source that is faithful to the analog masters of the time, which were not digitally remastered as the original analog masters. Furthermore, in the backing tracks instrumental, all songs of the album are recorded as karaoke without vocals. It is a unique remix using the latest AI technology. This is a collection series that cannot be overlooked in the Beatles sound source research by remixing unique to a new dimension of AI sound source analysis.

DISC 1: MULTITRACK REMIX AND REMASTERS STEREO REMIX = track 01~13 NAKED VOCAL TRACK STEREO REMIX = track 14~26 01 / 14. LOVE ME DO 02 / 15. FROM ME TO YOU 03 / 16. THANK YOU GIRL 04 / 17. SHE LOVES YOU 05 / 18. I’LL GET YOU 06 / 19. I WANT TO HOLD YOUR HAND 07 / 20. THIS BOY 08 / 21. KOMM, GIB MIR DEINE HAND 09 / 22. SIE LIEBT DICH 10 / 23. LONG TALL SALLY 11 / 24. I CALL YOUR NAME 12 / 25. SLOW DOWN 13 / 26. MATCHBOX

DISC 2: ORIGINAL ANALOG MASTER STEREO MIX = track 01~13 BACKING TRACKS INSTRUMENTAL STEREO REMIX = track 14~26 01 / 14. LOVE ME DO 02 / 15. FROM ME TO YOU 03 / 16. THANK YOU GIRL 04 / 17. SHE LOVES YOU 05 / 18. I’LL GET YOU 06 / 19. I WANT TO HOLD YOUR HAND 07 / 20. THIS BOY 08 / 21. KOMM, GIB MIR DEINE HAND 09 / 22. SIE LIEBT DICH 10 / 23. LONG TALL SALLY 11 / 24. I CALL YOUR NAME 12 / 25. SLOW DOWN 13 / 26. MATCHBOX