Product Description
1.
I Saw Her Standing There (Lennon/McCartney)
03:08
Song
Version validated
Lyrics available
Version details available
Take 2
11 Feb 1963
SS.PPM.01.02
A complete take.
from "Please Please Me" session
Continued from warming up, they start a great live performance in the studio. John a mistake with some lyrics and Paul makes a mistake with some bass lines
Taken from original master
stereo
Pitch correction: +0.8%
2.
The One After 909 (Lennon/McCartney)
02:57
Song
Take 2
05 Mar 1963
The Beatles
From "From Me To You" session
Composed by John in the late 50's ~ early 60's in the period of the Quarrymen.
Released on the LET IT BE Album but absolutely different
Taken from original master
stereo
Pitch correction: +0.8%
3.
She's A Woman (Lennon/McCartney)
03:17
Song
Take 2
08 Oct 1964
The Beatles
No lead guitar, piano or additional over dubbed vocals. No fade out at the end. Very primitive version.
Taken from original master
stereo
Pitch correction: -1.2%
4.
I'm Looking Through You (Lennon/McCartney)
03:12
Song
Version validated
Take 1
24 Oct 1965
SS.RS.10.01
The Beatles
From "Rubber Soul" session
No chorus made yet. Beginning with percussion vocalson single track.
No fade out at the end.
Taken from original master
Stereo
Pitch correction: -2.0%
5.
If You've Got Trouble (Lennon/McCartney)
02:20
Song
Lyrics available
Take 1
Sessions
18 Feb 1965
The Beatles
RS ?
'Sessions Mix', 1984
From "Rubber Soul" session Taken from original master.
Stereo
Pitch correction: -1.9%
6.
How Do You Do It? (Murray)
01:59
Song
Take 2
04 Sep 1962
The Beatles
Take 2, RM1 (4 sep 1962)
From "Please Please Me" session
Prepered as a second single, but never released
Line at around 1:36:
"Wish I knew how you do it to me,I'd do it to you"
Pitch correction: +1.3%
7.
Penny Lane (Lennon/McCartney)
03:07
Song
Take 9
RM9
17 Jan 1967
The Beatles
Take 9, RM9
Basically same version as on "Rarities" album, but including dialogue and Paul's count in the beginning.
Taken from original master
Pitch correction: -3.0%
8.
Strawberry Fields Forever (Lennon/McCartney)
03:19
Song
Take 26
15 Dec 1966
The Beatles
The information given is all wrong. Takes 1, 25 and 26 of this song were played in the key of B natural. Takes 2-7 were in B flat. They are a semitone apart. No versions exist in A or C. There is also no acetate of Take 26, only of Take 7, and this isn't it!
stereo
Pitch correction: -6.4%
Liner notes:
There's two takes for this song
First a slower version-A- (key on Bb) and a faster version-B- (key on C)
The previously released version consists of take A & B with controles speed, and it is also remixed.
This version is Take B with a different mix
Taken from original acetate
9.
From Me To You (Lennon/McCartney)
01:51
Song
Take 2
05 Mar 1963
The Beatles
beginning with Paul's count "1,2,3,4", no harmonica
Absolutely different
Taken from original master
stereo
Pitch correction: -0.4%
10.
Besame Mucho (Velazquez/Skylar)
02:32
Song
First EMI Session
06 Jun 1962
The Beatles
with Pete Best on drums
A different take from " Decca Tapes"
Taken from original master
Pitch correction: -2.7%
11.
The Fool On The Hill (Lennon/McCartney)
02:45
Song
Version validated
Version details available
Participants list available
Demo
Take 1
06 Sep 1967
The Beatles
Paul's piano demo.
Demo take 1
Paul performs solo demo on piano
Taken from original acetate
Pitch correction: -2.2%
12.
Paperback Writer (Lennon/McCartney)
02:37
Song
Core collection
Identified
Version validated
Take 2
13 Apr 1966
SS.PM2.03.02
The Beatles
Beginning with Paul's count "1,2,3,4" on the right channel. Same as the single, but different mix, no echo effects on vocals, and no fade-out at the end
Taken from original master
Stereo
Pitch correction: +0.5%