Beatles (6/Cd) A Dolls House Vol 2 With Slipcase

the Beatles, who pulled out of all the live activities and focused on studio work, first released “Sargent Peppers”. Produced with a variety of sound effects, this album has a very lively atmosphere. Not only the music but also the album and jacket are elaborate, and the times can not keep up with the evolution and change of the Beatles, and the public drew controversy over the interpretation of this album. LSD etc. will be the best of the deep reading. It was Paul who led such a flashy “Sargent Peppers”. If John led the band as a leader in the early Beatles, Paul caught up with rubber souls and revolvers, and in ‘Sargent Peppers’ it’s clear that at least the musical initiative has shifted to Paul . The words “Sargent Peppers” appear in the lyrics at the beginning of “How Do You Sleep?” That beat Paul from the album “Imagine”, but John himself acknowledged that Paul was leading the band at this time. It is The band leader’s transition from John to Paul has a subtle effect on the relationships among the members of the Beatles who boast a solid unity, and it seems that the foundation for breaking up began from around this time.

The next album of Sargent Peppers reflecting this psychedelic era is The Beatles, commonly known as a white album. The Beatles set up Apple Records for the first time with its own label. He also stayed in India to ask Maharishi’s teachings for philosophical meaning, and most of the songs recorded on the white album were written when he was in India. This stay in India is from February to April 1968. And as early as May after returning to the UK, all the members gathered at George’s home to do a demo recording. The sound source at this time is called an Esher demo. Based on this demo sound source, full-scale recording starts in June.

The White Album is the Beatles’ first double album. The album jacket is more simple, with only the white band embossed and white banded and numbered, as if it were a reaction to the gorgeous previous work “Surgent Peppers”. The album title itself is simply “THE BEATLES” whereas the previous work was a fictional long band name. The “White Album” was released in November 1968, in contrast to the previous work, and has achieved great sales success. It was mentioned earlier that the transfer of musical leadership from John to Paul was the foundation of the Beatles dissolution, but in fact, at this time, Apple did not boycott recording and did not come to the studio, or the recording was not always carried out by four people. It’s not like that, and it seems like the episode of “White Album” seems like the sprouting of dissolution breaks up. As a part of it, when criticizing this album, it is argued that this is not a band’s album but a collection of solo songs. I see, that is not a mistake. The fact that it became a salesally disadvantageous double album in the first place is that each member refused to neglect his own song despite George Martin’s proposal to condense the contents into a single album. is there. Paul did not seek to hide his aversion to “Revolution 9”, but where there was no opinion rejecting the recording, a glimpse of the unstable balance of human relationships in a subtle band. However, even in such a situation, there will be no objection to the wonder of “White Album”. Many of the fans actually like this album the most. Paul says this in an interview: “It is said that this album has no context or is a collection of solo songs, but it’s the Beatles white album. It’s shut up!”

This work has recorded the session sound source of this white album. It will be an unprecedented monumental one with a large number of first appearance sound sources, with unprecedented volume. There have been many titles that have recorded a large number of white album session sound sources, but this work not only covers already existing sound sources, but also includes many first appearance sound sources that no one has ever listened to There is. And since the original is a double album, it actually goes up to 18 discs as a session sound source of a white album. This set is divided into Vol.1, Vol.2, Vol.3 and 6 sets 3 sets and it will be released.

DISC ONE JULIA May 1968 01. Demo 02. Demo Tape copying

August, 1968 KENWOOD DEMO SESSION 03. Rehearsal 04. Basic Take instrumental 05. Overdub Take 1 06. Demo playback 1 07. Overdub Take 2 08. Demo playback 2

BONUS TRACK 09. Stereo Demo

October 13, 1968 10. Rehearsal 1 11. Rehearsal 2 12. Take 2 13. Take 3 14. Take 3 SI (5.1. mix) 15. Take 3 extra vocal SI (5.1 mix)

BIRTHDAY September 18, 1968 16. Take 1 (fragment) 17. Take 2 18. Unknown Take fragment

MULTITRACKS 19. Take 20 organ SI 20. Take 20 maracas SI 21. Drums 22. Guitars 23. Bass SI 24. Tambourine, Piano, handclaps SI 25. Vocals SI 26. Take 22 27. Instrumental 28. RM 1 Acetate 29. Advance Acetate Rough Mix

YER BLUES May 1968 30. Demo 31. Demo Tape copying

August 13, 1968 32. Take 5 W/Rough vocal guide 33. Jam

DISC TWO YER BLUES August 14, 1968 01. Vocals, Bass & extra Drum

August 20, 1968 02. RM3 Acetate 03. Unreleased Mix 04. Advance Acetate Rough Mix

MOTHER NATURE’S SON May 1968 05. Demo 06. Demo tape copying

August 9, 1968 07. Take 2 08. Take unknown 09. Take 15

August 20, 1968 5.1 MIXES 10. Vocals 11. Brass 12. Bass Drum & 2nd guitar 13. RM8 14. Advance Acetate Rough Mix

EVERYBODY’S GOT SOMETHING TO HIDE EXCEPT ME AND MY MONKEY May 1968 15. Demo 16. Demo tape copying

June 26, 1968 17. Rehearsal

June 27, 1968 18. Take 6

July 23, 1968 5.1 MIXES 19. Basic Vocals 20. All Vocals and Bass 21. Guitars UP 22. Drums and Bells UP 23. RM4 24. RM5 25. Acetate Advance Rough Mix

DISC THREE SEXY SADIE May 1968 01. Demo 02. Demo tape copying

July 19, 1968 03. Take 3 04. Take 6 05. Fuck a Duckie 06. Take unknown 07. Brian Epstein’s Blues 08. Jam 09. Who the Fuck 10. Take 21 playback

July 24, 1968 11. Session fragment 12. Take 28 breakdown 13. Session fragment 2

August 21, 1968 14. Take 117 RM5 15. Advance Acetate Rough Mix

EXTRAS 5.1. MIXES 16. Vocals, Bass & organ 17. Backing Vocals 18. Lead Guitar UP 19. Second Guitar 20. Drums, Bass and Piano UP

HELTER SKELTER July 18, 1968 VERSION 1 21. Take 2

September 9, 1968 VERSION 2 22. Session Chat 1 23. Session Chat 2 24. Session Chat 3 25. Session Chat 4 26. (You’re So Square) Baby I Don’t Care 27. Take 17 28. Take 18 fragment + Take 19 intro 29. Take 21

September 10, 1968 OVERDUBS 30. Bass SI with vocal guide 31. Guitar and Drums SI 32. Take 21 w/SI

DISC FOUR HELTER SKELTER September 10, 1968 OVERDUBS 01. Paul Vocal 02. Backing Vocals 1 03. Backing Vocals 2 04. Take 21

MULTITRACK 05. Drums 06. Guitars 07. All Vocals

September 17, 1968 08. RM1 Acetate 09. Acetate Advance Rough Mix

LONG LONG LONG October 7, 1968 10. Session Chat 1 11. Session Chat 2 12. Session Chat 3 13. Session Chat 4 14. Take 44/Gathering Gesturing

October 7, 8 & 9, 1968 TAKE 67 OVERDUBS 5.1. MIXES 15. Main Vocal 16. Second Vocal SI 17. George & Paul backings SI 18. Guitar and organ 19. Bass and Drums

REVOLUTION 1 May 1968 20. Demo 21. Demo tape copying

May 30, 1968 22. Take 18 23. Take 18 isolated

DISC FIVE REVOLUTION 1 June 4, 1968 01. Take 20 playback 1 02. Take 20 playback 2 03. Take 20 playback 3 04. Jam (tape breaks) 05. Jam & Tuning (continuation) 06. Tuning & dialogue 07. Jam 08. Jam 09. Jam (tape breaks) 10. Overdub Rehearsal 11. Overdub onto Take 20 12. Take 20 playback 4 13. Jam 14. Jam/It’s Fine (Yoko) 15. Jam (continuation) 16. Jam (continuation) 17. Jam (continuation) 18. Take 20 playback 5 19. Playback continuation 20. Playback continuation 21. Overdub onto Take 20 22. Lady Madonna/Overdub onto Take 20 23. Overdub onto Take 20 24. Overdub onto Take 20 25. Overdub continuation 26. Jam 27. Jam (continuation) 28. Jam (continuation) 29. Take 20 playback & overdub 30. Tuning 31. Dialogue 32. Dialogue continuation 33. Take 20 playback 7 34. Playback continuation 35. Dialogue 36. Dialogue/ Tape Loop 37. Tape Loop 38. Dialogue 39. RM1 from Take 20 (partial) 40. RM1 from Take 20 (complete)

DISC SIX REVOLUTION 1 June 21, 1968 5.1 MIXES 01. Take 22 SI onto 20 02. Take 22 Guitar Overdub 03. Take 22 Backing Vocals & Brass 04. Take 22 Vocal SI 05. Take 22 Alternate Mix

HONEY PIE May 1968 06. Demo

October 2 & 4, 1968 07. Lead Vocal and Guitar SI (5.1 mix) 08. Brass (5.1 mix) 09. Instrumental Track

SAVOY TRUFFLE October 5, 1968 10. Backing Track (partial)

October 11, 1968 11. Full backing track w/SI

5.1 MIXES 12. Basic Track 13. Backing vocals & Brass 14. No Brass mix 15. Dry Drum Track 16. Instrumental w/Backing vocals

December 67 – January 68 JOHN HOME DEMOS COMPOSING TAPE 17. Guitar Tuning & Jamming 18. Cry Baby Cry 19. Piano Tuning & Jamming 20. Improvisation 21. Cry Baby Cry #1 22. Cry Baby Cry #2 – Across The Universe 23. Nothing But Hold Tight 24. She Can’t Talk to Me (Hey Bulldog) #1 25. She Can’t Talk to Me (Hey Bulldog) #2 26. Set Me Free 27. Across The Universe #2 28. She’s Walking Past My Door 29. You know My Name

CRY BABY CARY May 1968 30. Demo 31. Demo Tape Copying